The Quality section (below Looping) will determine how good your audio sounds. This works best with shorter audio files, because the longer ones have a tendency to act strangely and be cut up in odd places. The Import option opens up to MIDI, where you can import MIDI data into your project, or you can import a beat to slice, which allows any WAV file that you have available to be sent into the project (see Figure 3.4). Aside from hard drive limitations, I always recommend saving large changes in a project as completely different projects to preserve what could be a masterpiece. Now you have a remix, and both versions can be edited separately. For example, if you make a hard house beat and want to try a breakbeat version that is choppier, save your project before changing anything, create the breakbeat version, and then choose Save As and rename it something easy to remember. It is a good idea to save your projects with different names if you go in different directions with the music, but you don’t want to trash your different versions. Save New Version essentially works the same as Save As, but it will save the project as the same name with a numerical value, so if it is the third time you have saved your HotBeat.flp project using the Save New Version option, it will be saved as HotBeat_3.flp. If you choose Save before assigning a name to the project or you select Save As, then a window will pop up, allowing you to give the project a name. If you have already named the project, then selecting Save will just save the current project as is with the same name. Save and Save As will both save the project. The Explorer will open, and you will be able to navigate to where you saved your project and then open it up. The next option is to open a project, and when selected, it will prompt you to save the current project you are working on.
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In this section I will focus on what each piece of the interface does, how to access that menu, and why it would be helpful to your workflow and the creation process as a whole. The great thing about FL Studio’s menus is that you can access your needed selection from many points, enabling you to work faster and choose what works best for you. If you learn these tools and use them often, you will become faster and better able to create at your speed. This chapter is all about giving you the knowledge to successfully use the tools of the program. However, the more I used each piece, the better I was able to enter food orders or freely mix in any request by the nearby dancing crowds.
In both cases I started with each piece of equipment at a novice level. As a DJ, the equipment worked only as streamlined as I did, because if I just let it play, the next song would not mix itself in. As a server, the machine into which I entered orders was a fast-paced touch-screen machine that moved as quickly as I did. In both cases I had to use electronic equipment, and my success at that job was greatly influenced by my knowledge of how this equipment worked.
#Fruity lsd sf2 files software
When I was first getting into music on the software side of things, I was paying my rent by DJing and serving tables. Extra Generators and Instrument Plug-Ins.Fruity Stereo Enhancer and Stereo Shaper.Recording with Audio Clips in the Playlist.FL Studio Menus and Interface by Steve Pease FL Studio Power!: The Comprehensive Guide
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